Thursday, 16 February 2012

Review: Delorentos - Little Sparks

Written for The Print (NUI Maynooth's student paper) for the 16st of February 2012 issue.

4/5

            The word ‘anticipation’ has been thrown around quite a bit concerning Delorentos awaited third studio offering. With Little Sparks, the band returns with their signature brand of bright, indie-pop guitar music, though this time with a lot more depth. The soundscapes are broader and even more interesting than before, while altogether Little Sparks is a far tighter album than the previous two.
            The album opens on a sanguine note, with the sprightly pop number that is the single Did We Ever Really Try? With the typically Delorentos style synthy guitar sound, it’s an extremely bright opening. It’s enjoyable and provides an optimistic lead into the album. Right after this, however, is a stripped back but gripping track in the form of Bullet In a Gun. The verse consists of Ronan with his acoustic guitar and drums distantly pounding behind. It is intriguing, the listener knows something is about to happen. This comes with the chorus’ trebley Clash-like electric guitar, backing vocals and claps.
            Care For, which already seems to be a fan favourite, is one of drummer Ross’ tracks. There is an interesting guitar line in the chorus, which skips and whirls hypnotically and is reminiscent of older Irish independent artists such as The Immediate. This is definitely the big pop tune of the record, if nothing much more. The verse gives nothing that wouldn’t be expected, but all the same I think I would enjoy this much more in the context of a live show as a simple dancey song. Kieran’s Petardu is next on the tracklist. I enjoy the melody of this track and atmosphere in the mix, however some of the lyrics I find to be a tad clichéd and slightly off-putting; for example “We’re related by blood/Someone else’s blood”.
            After this, the album continues at a reasonably even pace. There are some extremely atmospheric moments, such as in Right To Know and the wonderfully evocative Swimmer. The latter of which begins very sparsely with haunting melodies and continues with marshy layers, well-conveying watery textures. The title track builds up progressively from calm and understated to a powerful ending before falling to my personal favourite on the record, Waited For You So Long. This song is tender and unsettlingly loyal. The descending bass of guitar line in the chorus feels regretful and the voice dances on the edge of falsetto in the verse; it is the sweetest and loveliest they have offered yet.
            Another of my favourites is The Stream - smooth and sentimental and eases to a slightly skippy beat. The first few bars pour out and the melody is naïve in the best way possible. The lyrics are simple, yet effective: “Even though I love you, you’re a fool”. The album ends with the swarming sounds of Witness In The Dark, as the vocals call out with warmth. Its music is warm and rich in general, with long thick bass notes and calm sensations throughout until the drums come in precariously in the mix. A wonderful seal to the album.
            Overall this is the best record Delorentos have released yet and it feels most like a complete record. Well worth a listen.

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