Thursday, 16 February 2012

Interview: Rónan of the Delorentos

Written for The Print (NUI Maynooth's student paper) for the 16st of February 2012 issue.
 
            Irish indie band Delorentos have recently launched their third LP ‘Little Sparks’. To promote this, the band set up pop-up shops in cities throughout Ireland where they hung around chatting to fans, selling merchandise and performing small acoustic sets. The shops were located in Cork, Limerick, Galway and finally Dublin, which took place on Saturday the 4th of February. The Tuesday after the Dublin pop-up shop on South King Street, I met up with vocalist and guitarist Rónan with a cup of tea, while he had coffee, to discuss the shops, general promotion and the new album.
            First of all, Rónan explained to me the thoughts behind the pop-up shops and what allowed the band to do them:
            “It kind of came out of the creative process in recording the album. Our own preoccupations, maybe, in earlier days kind of stopped ourselves doing things we wanted to do. I had my heroes, and I wanted to be like them, whether it be Bruce Springsteen or Julian Casablancas but I think in the course of making this album we were more comfortable with ourselves. When it came to promoting the album, we wanted to do it in a fun way, do things we hadn’t. As well as really growing in our music, we really wanted to enjoy being in a band. We’re an independent act, nobody tells us what to do or how we should do things, so we felt why should we restrict each other? Why not try all sorts of crazy ideas? It was just one of the many ideas we had that seemed fun, exciting and different.”
            At the shops, among t-shirts, posters and CDs in the merchandise was a magazine which contained an EP at the back including songs not available on the album itself:
            “Kieran always wanted to put together a magazine – he collects Mojo and Uncut and all these great magazines. He said ‘I’d love to do that myself, even just once’. In the spirit of having some sort of added value and giving people more insight into the band, we thought we could put it together and get in touch with our friends and those who inspire us – young Irish people who are doing some really cool stuff, and shed some light on what’s happening in Ireland. It’s just a really nice thing to have. From there, brainstorming rolled on and pop-up shops thing came up.  Kieran seems to be our good ideas man.” 

            Many times through our chat, Rónan used the word “fun” to describe the pop-up shops, he went on to describe just how enjoyable they were:
            “We had families come in, we were showing kids how to play the instruments – it was just a really fun day. You can’t help but notice, there seem to be more business units with Gillette signs on them than with people in them. It’s great because it all comes from us. What we were doing was as much a creative thing as a commercial thing. This was completely coming from us. For better or worse, it was down to us. It was great to be just able to say we’re an independent act, we were at the helm. It was really good fun.”
           Amongst the fans, there is definitely a feeling of being valued with Delorentos more than many other bands. I wondered, does Rónan feel like it’s just as important to cater to dedicated fans as well as the new fans?
            “Definitely! In this case, it was all up to fans making it work. It was really informal, just kinda hanging out. People brought cakes and biscuits and Rice Krispie buns, it was just really nice. We’re really lucky; maybe if at the beginning we’d have been on a major label, we might’ve been that bit more separated. We’ve never been on a major label, so we don’t know. We meet lots of people and have gotten to know some fans quite well over the years. Our fans are the best people to spread the word about the band. We’re really lucky in that regard. We’ve been going full steam the last 6 or 7 years, and they’ve stuck with us. The good will with the release of this album has been really overwhelming.”
            Many Irish bands including Delorentos, Royseven, Codes use interesting and different acoustic versions to promote themselves, such as at Saturday’s event. Rónan went on to describe this as a form of promotion:
            “A huge amount of work goes in, but we had loads of fun putting them together. If you’re Lisa Hannigan or Conor O’Brien or James Vincent McMorrow, they can sit down with just an acoustic guitar and blow people away. When we started out, we weren’t as comfortable or as confident maybe without a wall of sound to hide behind us. With some bands, there’s a bit of resentment: ‘Oh we’ve to go to this radio station and play a crappy acoustic version’. It’s funny, but it’s a really bad attitude to have.
“We wanted to do this show we hadn’t put on before. Níal’s dad had an accordion from when he was learning, he put it up in the attic and it hadn’t been touched for 50 years. It was weird – his had a bit of a problem with it. I said it to my dad and he told me his friend might have one, so he brought it down and it was the exact same! Same case and everything. We bought a harmonium making the album, which we then used. There was a lot of work gone into it but it was so rewarding to do it. It started out with Bullet In a Gun which we recorded kind of spontaneously last summer in Madrid – we decided it’d be really cool if we could, over a year, record all our acoustic versions in video form. The reactions to those... some say ‘I actually prefer the acoustic version’ and even members of the band feel that way.”
Little Sparks is the third album to be independently released by the band and also the third to hit the top 10. With the confidence after the first two reaching #7 and #2 respectively, were they more complacent this time around?
            “No way! You can never be complacent! When we started, the idea that you’d get to a certain point and someone would take over and do the work for you was still prevalent enough. Maybe it felt we were still hoping someone would step in. This time around, that thought didn’t even occur to us. It was a tough week, we scraped into the top ten. It’s funny, even though this was at #10 , it was strangely the most rewarding of the three. It feels like we’ve holistically worked so hard, it feels real.
             “Getting the news, we were at one of the shops. We were in Limerick. One thing we definitely resolved after the band briefly broke up and got back together is that we appreciate things. We make sure to take a second to appreciate the good things when they happen. We don’t rest on our laurels, but there’s no harm in having a little smile. It’s great, it’s really, really great. People sometimes ask me, ‘If you hear your song on the radio, do you get sick of it?’ You obviously really want your songs to be on the radio, there is that. The other side is there’s still this kid, every time can feel like the first time hearing your song on the radio.
“Going to play a show in Amsterdam a couple of years ago, we had a rental car for a few days. Flicking around all of the stations, not understanding a word and then S.E.C.R.E.T. came on the radio! I was just like ‘Holy crap! I can’t believe it!’ It was incredibly surreal. Not understanding what they were saying, we were asking did they like it? Or are they saying [with his best Dutch accent] ‘This is a joke band, have a laugh at this’? We never found out... Those moments always give you a bit of a thrill.”
During the day of the pop-up shop in Dublin, there was a definite air about the crowd that they were all asking the same question, ‘Will Níal and Ross ever sing live?’
“Myself and Kieran are always asking the same question! It was one thing that always excited me from the beginning that all of the band actually could sing. Obviously, Kieran and myself do most of the singing. The guys are singing more and more. On Little Sparks, Ross has penned 3 original songs and sings lead on a couple. I dunno, maybe it’s a comfort thing. Ross has incredible attention to detail, maybe he feels if to be singing would compromise the drums...! Níal has the song on You Can Make Sound, Let The Light Go Out. We don’t play it much – I love the song. We did it once, went down in folklore. I think there’ll be more. There’s some really gorgeous harmonies, done well. Can create such a lush sound, I think it’ll be done more and more. Maybe as the band goes on there’ll be less and less sense of a lead vocalist. All I can say is I hope so, like everyone else. They’ve definitely got amazing voices and unique voices and they deserve to be heard.”
Delorentos third long player Little Sparks is available now in record shops. The band will playing Dublin’s The Button Factory on the 25th of February, Dolans Warehouse in Limerick on the 2nd of March and Cyprus Avenue in Cork on the 3rd of March.

Review: Delorentos - Little Sparks

Written for The Print (NUI Maynooth's student paper) for the 16st of February 2012 issue.

4/5

            The word ‘anticipation’ has been thrown around quite a bit concerning Delorentos awaited third studio offering. With Little Sparks, the band returns with their signature brand of bright, indie-pop guitar music, though this time with a lot more depth. The soundscapes are broader and even more interesting than before, while altogether Little Sparks is a far tighter album than the previous two.
            The album opens on a sanguine note, with the sprightly pop number that is the single Did We Ever Really Try? With the typically Delorentos style synthy guitar sound, it’s an extremely bright opening. It’s enjoyable and provides an optimistic lead into the album. Right after this, however, is a stripped back but gripping track in the form of Bullet In a Gun. The verse consists of Ronan with his acoustic guitar and drums distantly pounding behind. It is intriguing, the listener knows something is about to happen. This comes with the chorus’ trebley Clash-like electric guitar, backing vocals and claps.
            Care For, which already seems to be a fan favourite, is one of drummer Ross’ tracks. There is an interesting guitar line in the chorus, which skips and whirls hypnotically and is reminiscent of older Irish independent artists such as The Immediate. This is definitely the big pop tune of the record, if nothing much more. The verse gives nothing that wouldn’t be expected, but all the same I think I would enjoy this much more in the context of a live show as a simple dancey song. Kieran’s Petardu is next on the tracklist. I enjoy the melody of this track and atmosphere in the mix, however some of the lyrics I find to be a tad clichéd and slightly off-putting; for example “We’re related by blood/Someone else’s blood”.
            After this, the album continues at a reasonably even pace. There are some extremely atmospheric moments, such as in Right To Know and the wonderfully evocative Swimmer. The latter of which begins very sparsely with haunting melodies and continues with marshy layers, well-conveying watery textures. The title track builds up progressively from calm and understated to a powerful ending before falling to my personal favourite on the record, Waited For You So Long. This song is tender and unsettlingly loyal. The descending bass of guitar line in the chorus feels regretful and the voice dances on the edge of falsetto in the verse; it is the sweetest and loveliest they have offered yet.
            Another of my favourites is The Stream - smooth and sentimental and eases to a slightly skippy beat. The first few bars pour out and the melody is naïve in the best way possible. The lyrics are simple, yet effective: “Even though I love you, you’re a fool”. The album ends with the swarming sounds of Witness In The Dark, as the vocals call out with warmth. Its music is warm and rich in general, with long thick bass notes and calm sensations throughout until the drums come in precariously in the mix. A wonderful seal to the album.
            Overall this is the best record Delorentos have released yet and it feels most like a complete record. Well worth a listen.

Irish Hip-Hop Scene

Written for The Print (NUI Maynooth's student paper) for the 16st of February 2012 issue.

             The Irish hip-hop scene is often regarded with much hilarity, and hardly ever taken seriously by the casual rap fan. To many, when the subject of the hip-hop scene here is brought up, it conjures thoughts of the pitiful and unintentional humorous rappers with incredibly thick accents. This side of the scene was perfectly incarnated in 2006 as DJ Spiral dropped his woeful single “Finglas”, universally jeered despite reaching #9 in the charts. This laughable façade on our industry aside, Ireland does in fact have an incredibly rich hip-hop scene which is beginning to gain recognition on a grander scale. Here are just a few to look out for in the coming year.
            The TemperMental MissElayneous (née Elayne Harrington) is a Finglas rapper vaguely reminiscent in style and substance of Immortal Technique. Her lyrics are contemplative, transcendent and mostly political. TMM will often rap about societal issues; she shows feminist tendencies particularly in her single Contra-Diction under-cushioned by Eastern flavoured philosophy: “Nothing is real, nothing exists”. MissElayneous is above all a clever lyricist. Her flow is tinged with her punk influences and has a West Indian patter. TMM has just launched her EP called Proletarian Restitution which can be bought at her shows, usually performed alongside her b-boy Barry Krishna.
            Much acclaimed and awaited, Dublin’s Lecs Luther is set to make an explosion once his CD Fish & Chips drops. For some time now, speculations about the date of release have been rampant, while Lecs himself has only specified “soon”. Often compared with Tyler, The Creator and MF Doom, Lecs has acquired his own underground following, appearing on forums from Kanye West’s to OFWGKTA’s own and even having his own fan made fuckyeahlecsluther Tumblr account. Unfortunately for an Irish man, Luther raps with an American drawl, and though this false accent is off-putting, his smooth laid-back flow makes it hard to begrudge him this. His soft rhyme-based lyrics are incredibly pleasing and more than make up for the US accent.
            Earlier in 2012, Lethal Dialect released his spectacular LP LD50 Part 2 which includes the leading single Keep It Real. And this is exactly what Lethal Dialect does; he doesn’t rap with any other accent but his own and he only ever speaks from experience and sincerity. LD’s rhymes are based on his life in the suburb of Cabra and often deal with class divides, which is a huge factor in the mainstream disinterest in Irish hip-hop today. LD50 Part 2 is up among the best Irish hip-hop albums of all time. It is even comparable with some of the great classic New York, Chicago or Los Angeles rap acts. It can be streamed online at www.harmlessnoise.ie.
            Irish hip-hop has been rich and full of pride through the years. In the 1990’s, groups such as Marxman and Scary Éire even opened for such acts as Beastie Boys or Public Enemy. We have an amazing battle scene with DFI, consisting of really clever lyricists such as Cork’s Nash and Ballyfermot’s Nugget. A casual rap fan could easily grasp some of the prolific artists we have to offer in a scene that is truly and sadly overlooked.